Hypothetical Interview with Andrew Hung and Benjamin John Power of Fuck Buttons:
ATT: Wow,
Tarot Sport is a hugely impressive album. I noticed there were some artistic shifts from the territory you explored on
Street Horrrsing. On that album there were human voices, often fractured and screaming. Still, they often suggested language. The new record seems to be entirely instrumental. What do you guys think about the relationship between music and language? Are they antithetical?
FB: (...)
ATT: (related question) People call you a noise group. I think this is a bit lazy; it's like people think that anything without words is just noise. What do you think?
FB: (...)
ATT: Were there any classical influences on the vision for
Tarot Sport? Some of the track names (most obviously "Olympia") seem to indicate a classical theme. Anything to this?
FB: (...)
ATT: Let's talk about melody and rhythm. One pattern I see on both albums is relatively complex rhythms built around simple, sustained melody. It is almost like you are trying to really distill each of these elements. How would you characterize the relationship between rhythm and melody in your music? Is one primary?
FB: (...)
ATT: Do you mind if I share an mp3 for the readers?
FB: "I have passed your questions onto Fuck Buttons's management, they are considering them. However, they are very unhappy that you have posted an MP3 of a Fuck Buttons track without permission. This is totally unacceptable. They have asked me to tell you to remove it IMMEDIATELY. Please can you confirm that you have done so? There is no way your questions will be answered unless the MP3 is removed."
mp3 Fuck Buttons The Lisbon Maru (removed as per request)